Poetry, Week 47: Aditya Menon
DANCE
Fielded deftly enough, the questions nevertheless lingered far
past the speaker’s dance. The dance
itself was instance, instance invoking another instance, in this
case cake. Everybody in the readable
room was on first-name basis, basis evoking another basis,
groundwork always. I was there merely
in my capacity. When you invoke capacity, went one question,
would you have us imagine a badgerer
of badgers bred into pure and mere potential. Future to me ` implied a blur of little legs. Only other
blur the black of the lady with the leash, in print. There was
Immanuel and there was Iman and then
` there I was. Folded daftly enough, Karl Lagerfeld was
pure sphincter. Eat the rich, they said. Never
how, never with adequate granularity to merit the name
of how, unitalicized. Call the cake cake.
Where is the disagreement? And how should it bubble into
salience if not in a white white fluke.
DOPE
I.
Head fuzzy as a fiddle-
head, addled by molly-
coddling, I rouse myself
to lightness
like rabble-
rousers rouse rabble,
prod myself
into camaraderie
like cattle-
prods prod cattle,
face myself
in happen-
stance
like op
faces ed
print impossibly
close when the print daily
is closed, as yet undisclosed
at the door—
U.
I mainline hate silence
through the filter of a tether.
Through the sleep of a beach
you chug love speech.
We are not the same
meme template. Yes & no. Tusk & helmet, hip
& gable, economic & political like avocado
and coconut, ibuprofen & inverted,
to name two handles, span & fin,
collectively spanning
what exactly—
∩.
Like weakly licit thought tacit
in a vat of milk in a temple, temple active
in a desert, vat slick with a ring
of rats, not black, not white, not dappled—only
lapping, over-
lapping, their quivering equilibrium rendering
the rim radiant,
what we would sing if we were
to sing—
Aditya Menon is from Kodaikanal. His work has appeared in Peripheries, Colorado Review, Fabrikzeitung and elsewhere.
