Poetry, Week 16: You Li
It was not a storm
that pulled me across the water. 
I crossed by choice.
On its banks, I caused 
my life. Thousand-petaled 
clouds cleaved and hailed
into my mind, so 
I never stooped to drink. 
(I rolled to hear ice clink.)
My path was discrete, 
wind falling on wind, 
lightning into ecstatic 
lightning. What landings 
I stuck, I took as my own.
What words I knew,
I mouthed, cotton-
mouthed, nappy.  
What I scraped
from rock faces
after the rain,
I pressed into my bed
under the dream.  
There, I cut each ice block
in my extinct forest,
and the story is the sound 
of the logs slotting.
Once an hour, 
wind cuts through 
with windchimes,
and once a daybreak, 
warblers volley in in a ring.
bidding goodnight to my exes’ exes
nothing to do but open and close. door, 
light switch, umbrella, mollusca, bodega. close 
late night, open later night,
close, square hair around white oval, spiraling 
a clear dark floor, no walls, 
no halls.
close, queer ghost light in block kitchen,
you’re thick as a knife, 
lantern. close,
curve joints, your child-
face out all day 
wandering, now close, now
knee, may your child 
sleep soundless. may your sleep 
sleep richly. 
i’m up all night to get
you all chairs on my planet 
in mormon heaven, 
mostly folding, your twinness. 
nothing to do here but close, legs, 
cooing like a turkey caller,  
fresh lashes 
upon our heart meat, 
you’re radioactive,  
crease creators, slick 
as sheep’s wool, yellow glinting feather shafts 
hollow hollow hollowed, 
close, sleep, that i may stalk
the stadium lined with your long, never-
ending teeth closed  
for cleaning, stuck with krill, tall.
wind bathing ice, blowing around 
without temperature at all.
You Li is a lawyer and poet who was born in Beijing and lives in New Haven. Her poems have appeared in Narrative, Shenandoah, Ploughshares, Asian American Writers’ Workshop’s The Margins, and elsewhere.

